The first movement of this Sonata is called “Tempo di ciaconna,” because its form and sound were inspired by the Baroque dance called a “Chaccone.” There are even Chaccones in Bach’s Violin Sonatas and Partitas! This challenging piece was actually inspired by famous violinist Yehudi Menuhin’s performances of Bach’s Violin Sonatas. He made field recordings of Hungarian folk songs, and many of the standard melodies and rhythms pop up in his own music, including this sonata. A lot of the melodies in these works will have the violinist playing all the way up the fingerboard, very close to the bridge.Įven though these pieces are the most difficult to play, they’re very fun to listen to! Be sure to listen to a bit of each of them.īéla Bartók was a famous composer from the 20th century. Some of these solos also use harmonies that might sound confusing to us if we’ve mostly played earlier composers like Johann Sebastian Bach or Wolfgang Amadeus Mozart. Many of the melodies will have the violinist jump over at least one string with the bow, which is very tricky! Just a few of these difficult techniques include double-stop trills, artificial harmonics/artificial harmonic double stops, and left hand pizzicato. Composers (especially those that play the violin) have caught on, and now write very difficult techniques that the masters have honed. As the violin grew older, we’ve figured out how to master it more and more. It’s interesting to see that many of the “expert” level solos were written in the 20th or 21st centuries. Professional violinists perform these violin solos, and even they struggle with them! These are some of the hardest pieces of the violin repertoire.
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